since i became a doctor, i have done many things which could be
described, generously, as self-indulgent. one of them was to pull out
all my quilting stuff, spread it around my apartment, and work on
projects i haven't touched since i first became a masters student.
but
the other thing has been to read trash. lately, i have been reading a
lot of things (both fiction and non-fiction) about the tudors, because
that's always been a particularly fascinating piece of british history
for me. but in between and around that, i have been reading the "earth's
chilldren" books, or as they are better known,
the clan of the cave bear and
oh, she wrote 5 other books?
let
me confess, at this point, that i have actually read these books
before. i read them in high school, and gathered little except that they
were full of sex. i read them again, more recently, as someone with
sexual experience and giggled my way through most of the sex scenes,
which are unrealistic, to say the least. but even more recently, because
i have trouble sleeping at night, i have been reading them again.
it
is safe to say that the most fascinating parts of these books are her
guesses and/or depictions about how early humans would have lived.
there's clearly a lot of research that went into these books,
significantly more work than goes into your average romance novel or sex
film, i suspect. and i enjoy reading about building boats and houses
made out of mammoth bones. i like reading about flint knapping,
apparently.
but i am also, on my third read, far more critical of the books, both as texts and as rhetorical artifacts.
the Craft Criticisms are perhaps the easiest to deal with, so i will start there.
these books become incredibly tedious at a certain point. part
of this can be chalked up to what my sister always called "The
Baby-Sitters' Club Dilemma." as kids, we read these books, which were a
series, but which also wanted to allow for new readers to enter at any
point. this meant that the entire second chapter was inevitably
dedicated to describing the origins of the club and the backstories of
the members - her solution after two or three books was simply to skip
the second chapter. so at times the EC books fall, understandably,
victim to this.
less understandably, the books are
also tedious because of the plot. when ayla lives alone, we get tired of
her dwelling on past events, but after she meets other people like
herself... every person she meets notices a) her stunning beauty, b) her
strange accent, and c) her perceptiveness and/or mystical powers.
because she's traveling with horses (and later a wolf) at a time when no
one else has domesticated animals, people also notice those. and so,
over and over, we listen to ayla and jondalar (the guy she
chooses...more on that idiocy) explain where the horses and wolf come
from. over and over we watch people marvel at her "inventions" - a
faster way of making fire, pack baskets for the horses to carry, a
needle, a spear-thrower (admittedly, jondalar invents this, but only
because of ayla). as well, over and over, people notice that she is a
skilled healer and wonder to themselves and aloud about her strange
accent.
inevitably, this leads to the revelation that
she was raised by neaderthal, and inevitably someone will react with
outrage and disgust (compounded when they discover she bore a child of
mixed blood while living with them). all of this can be entertaining a
couple times, but it quickly gets boring. unfortunately, in the 4th
book, she and jondalar start traveling back to his home, so there's
Traveling and then there's Meeting New People. that's it. you might
think the Traveling is better, especially if you are a fan of the LOTR
books and enjoy reading about people who are trying to find shelter and
food. but without orcs and nazgul and stuff chasing them, ayla and
jondalar need other varieties of tension. these are often very
artificial.
as an example, in the fourth book (the
easiest one to pick on) we are treated to the riveting drama of jondalar
becoming annoyed with Wolf, the wolf who travels with them. in spite of
the fact that in the third book jondalar adores Wolf, who is a source
of comfort to him, and in spite of the fact that we have already
witnessed the animal being helpful, he inexplicably decides that the
wolf is useless and annoying (probably because he's being a demanding
jerk about this traveling - more on that). he makes snide comments, and
then ayla gets hurt because she loves Wolf. eventually, obviously,
jondalar realizes that Wolf is an asset, and gets over himself. i know,
you were on the edge of your seat waiting to find out about that one. so
some of this is just poor pacing, or lack of an innovative plot.
but then there's
jondalar himself,
who deserves his own section. in the second book, when we aren't
watching ayla struggle to survive, work through her trauma at losing her
entire clan and child, and worry that she will never meet people who
will accept her and allow her to become a mother and wife (her fondest
desire), we are traveling with jondalar and his brother. this journey,
by the way, is just for fun, a sowing of wild oats. jondalar is enjoying
himself, but secretly misses his home and is afraid his brother will
never return. however, he is also on this trip to avoid a girl he has
been courting, but doesn't love. and man, does he whine about that.
the
contrast here is...well, it makes me hate him. ayla is struggling to
*survive* and dealing with isolation of a sort that would make most
people crazy, and jondalar is fighting tears as he whines to his brother
about how he can't fall in love. even *worse*, every girl he meets
seems to fall in love with him. young, impressionable girls love him. a
young widowed mother who refuses his perfunctory proposal because she
senses he doesn't love her and is afraid she would grow to hate him.
(this, of course, is jondalar's tragedy, not hers or her son's.) the
woman he left at home loves him. etc. but none of these women do it for
him, partly because he finds sex with them dissatisfying. for this is
jondalar's Most Overwhelming Tragedy - that he must hold back with these
women, who can't "receive all of him." are you kidding me? in the days
of the woolly mammoths, we have the first Emo Cliche, and he is whining
about how he can't love all the women who love him and how his dick is
too big.
(it's worth mentioning that everyone around
him thinks jondalar is a really great guy - strong, good-looking,
magnetic, etc. they also think this of ayla, who seems to have no flaws.
her one thing is that we're told she can't sing well, but we're also
told that people like listening to her voice. so what does that mean?
that she has an unusual-but-pleasant singing voice that no everyone
enjoys? or that she really can't sing but she's hot so everyone doesn't
notice? this perfection is exactly why i despised superman for years.)
when
he meets ayla, he adores her, but cultural misunderstandings stop them
from being together for a time. but then, of course, he falls in love
with her. and, i mean, why wouldn't he? she's tall, strong, and
beautiful, although not as tall and strong as he is, and she doesn't
believe she's beautiful. she was raised in a culture where women are
taught to anticipate the needs of men, respect their speech and wishes,
and be ready at any moment to "relieve their needs." so what's not to
like? her natural independence has led her to teach herself to hunt and
create tools, which were unwomanly for her people, but they apparently
only taught her to rebel against stereotypes which might have made her a
burden to jondalar. she's ideal. never clingy, but always ready to
comfort him or sleep with him. independent, and solicitous, but almost
disgustingly grateful if he so much as cleans a plate off for her.
when
they meet other people for the first time, a group of mammoth hunters,
one of them is a charismatic, sensitive, funny, handsome, talented black
guy who is also a carver. jondalar is, to be honest, none of these
things, except maybe handsome. we're told he's charismatic, but if no
one told me, i wouldn't know. ranec also loves ayla, and asks her to
sleep with him. which she does, of course, because she's been raised to
obey men all the time. let me be clear here. jondalar KNOWS this, but
doesn't explain to her that she's always allowed to say no to anyone,
because it's her body. an old guy at the mammoth hunter camp finally
tells her this, after she's already slept with ranec and jondalar is
pissed at them both. over the course of the winter, ranec pursues her by
making her smile, asking if he can help her, giving her gifts of
carvings, and asking her to become his officially recognized mate.
jondalar mostly avoids her or says shitty things, although once he
*forces* her when they are alone together (and so, first, it's
disgusting that he believes he raped her, but then he won't even listen
to her as she tries to tell him that nothing they just did was against
her will). he's not able to compete with ranec's wit and charm, nor has
he ever offered to "marry" her, but ayla still can't stop thinking about
him. of course, eventually, she decides to be with him, leaving ranec
heartbroken.
it's worth a note about
all the sex.
i'm not saying anything innovative here - these are romance novels with
flint knapping. as an experienced woman, i don't think these books do me
any harm. but i think back to my teenage self, and i'm relieved she
never paid enough attention to think this is what sex is meant to be
like. every time, jondalar can barely control himself because he's so
turned on just by the look and feel of her. he's never too drunk to
finish. he never finishes too soon and she has to sigh and tell him it's
no big deal while being frustrated. she never fails to feel ecstasy at
his slightest touch. they are perfectly attracted to one another, they
always please one another. nothing is ever awkward. this is *not* what
sex is like in my experience.
there's also the fact
that jondalar finds such joy in her (and falls in love with her,
perhaps) because she's the first woman who's ever been able to "take all
of him." let me be clear here: he loves her for her depth, and this
isn't another way of saying he loves her for her mind.
i
don't want to sound like sexual chemistry isn't crucial in a
relationship. i believe it is. i believe that when it's lacking,
especially if it isn't talked about, that relationship is always open to
someone who can bring excitement as well as love, respect, and comfort.
but these books just go further than i can stomach. in one, utterly
pointless, completely banal scene she asks jondalar after sex how he
"always knows" what she "really wants." how, even when she thinks she
wants (for instance) a slow, romantic encounter, does he instinctively
know that she actually wants to be taken hard and fast and thus manages
to both surprise and utterly satisfy her?
are you kidding me?
but then there's also the fact that
the books occasionally feel too much like my actual life.
ayla is a misfit who struggles to defines herself against a culture
that constricts her, and she eventually is adopted by a group of people
who love and appreciate her for who she is, and who are both living in
the region she is familiar with, and are accepting of her background.
they even have a child of mixed blood living with them, and after some
initial tension they accept that the neanderthal are people like
themselves and worthy of respect.
but jondalar wants
to go home. even though he's been ashamed of her background. even though
he's not sure his people and family will accept her. he considers
telling her he will stay with her and her adopted family, but realizes
he can't do it. and so all of the tedium of book four is because
jondalar wants to go home. his irritation with Wolf is in large part
because he cannot handle any delay at all, anything that keeps him away
from his family. this is mostly his mom, really. his dad is portrayed as
a good guy, but a little shiftless, while he and his brother can't say
enough about how great their mom is. she's a cave leader. she was a
great hunter once. she's so great. he has siblings, but we hear less
about them. we never hear about friends. ...actually, i'm just now
realizing how weird it is that this guy is so desperate to get home.
he's been away years and his mom could be dead by now, and he seems to
have no other attachments. he has a lot invested in himself as a member
of his culture, but, again, it's not always obvious why.
ayla
was raised with the numerous gods of the neaderthal, and when she talks
about her beliefs in totem spirits and so forth, you can see that
jondalar finds this all baffling, a little interesting, a little
embarrassing. he tells her, on several occasions, that the worship of
the mother-goddess is "for everyone." he's pleased when she adopts his
faith, but doesn't really allow himself to be influenced by hers. (also,
he wants her to honor the mother as he does, but then when she becomes a
sort of priestess later, he finds that inconvenient as hell. this guy
is Never Happy.) her beliefs are cool and all, but not ultimately
important because he can fit them neatly under the umbrella of the
mother and so already accounted for by his religion.
so,
you know, i'm not a flawless beauty who is utterly independent and yet
utterly submissive to men, obviously. nor am i being hounded across
prehistoric europe by a sullen, unappealing man tied to his mom's apron
strings (when we meet this woman, for the record, she actually is pretty
nice, but nowhere near as clingy as jondalar. possibly she was glad to
be rid of him for a bit?) but the whole drama of whose world to live in,
whose wishes should be dominant, occasionally feels a little too much
like my conversations with T. and if it's annoying in a book, why should
it be any less annoying in life?
admittedly, this
last is the least of my complaints. and i could add to this list.
there's the fact that ayla begins to suspect that babies come from sex
and not from the mixing of spirits or essences or whatever and in
insisting over and over that children "belong" to men as well as women
brings about patriarchy. but what else could we expect from a "perfect" woman?
i
could bitch more about this, but i've probably already lost the respect
of everyone around me, by revealing that i've spent my post-doctoral
break reading these books, and a perfectly good monday morning writing
about them.